They call her Tiny because she was
a preemie. When her mother tells the story of her painful birth – the 30 hours
of contractions, the midwife who, in desperation, jumped on her chest,
repeatedly throwing her weight below Tiny’s mother’s ribcage to induce
contractions – Tiny shuffles her feet apologetically and looks down, refusing
to meet her mother’s eyes. There is a photo of Tiny as a baby on top of the
mantle, a shrimplike 2 pound alien form -- more diaper mass than child – stretched
out awkwardly on a sheet of dancing pastel elephants. A shock of wispy black
hair fans out from beneath a pink knit beanie, but any facial expression is
obscured by the labyrinth of tubes taped to her cheeks, protruding from her
nose and mouth. Her eyes are pinched shut in two faint U-shaped crescents. All that's visible of Tiny’s mother is her hand, reaching into the incubator and hovering
gently above Tiny’s belly, pointer finger outstretched, willing for Tiny to
grab on. Tiny, obedient even at 32 weeks, is clutching her mother’s fingertip,
her whole hand barely covering a fingernail.
Tiny’s mother keeps
the photo displayed prominently because she insists that the intense labor of
giving Tiny life is her proudest accomplishment. She also likes to remind Tiny
of her earliest and first connection, this unbreakable bond between mother and
daughter -- gratitude realized even before it is comprehended. When Tiny looks
at this helpless version of herself, she feels pity for this alien creature
that, having arrived at the wrong time, looks so out of place in its
surroundings.
This feeling of
having arrived at the wrong time and being ill equipped for all the
places she finds herself has followed Tiny throughout her life. It’s a shadow that she feels connected to the bottoms of her feet, which anchor her to another place. Sometimes she sneaks a wary glance over her
shoulder and she can see the shadow tailing her, twisting itself into
grotesque heights, dark, menacing, and ready to consume her.
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